I typically look in both sections for Los Angeles and New York. The Los Angeles Writing section can be found here: This makes it very easy to quickly keep an eye on virtually every post that goes through the system. Most are not for screenplays but some are.
To sell a script the first thing you need to do is write a really good screenplay. There are lots of books on how to write a good script.
Save the Cat by Blake Snyder.
As a screenwriter you should be interacting with other screenwriters, reading their scripts, and reading scripts from produced screenwriters. One great way to find out if your script is ready to be sent out is to ask someone in the industry to review your screenplay. Selling Your Screenplay currently has a script consultant service.
Check it out here: Make sure you protect your work by getting a copyright on it or sending it to the WGA for registration. Check out my post How do you protect your work? Screenplay copyrights and WGA registration to learn how to protect yourself and your script.
Who do you know that could turn your script into a movie? Perhaps you have enough money to produce the movie yourself. Or perhaps you have a rich relative or friend who might be willing to invest in your project.
You can find them here: While this is very difficult this is precisely what most screenwriters are looking to do. Many novice writers assume they need an agent to help them sell their script. While a good agent can help, I recommend going straight to the producers themselves.
Check out my post How do you get an agent for your screenplay? Many of the trade publications The Hollywood reporter, Daily variety, Backstage West and other online publications will often have ads in them placed by producers or directors seeking screenplays.
While you do have to be very careful, it is a great resource for writers, especially beginning writers. You should be pushing your screenplays forward in as many ways as you can see the list above!
There is really nothing more to it. But be prepared to do some work and make sure you have patience and a ton of persistence.Ah, the query letter. A novice screenwriter’s first line of contact with the powers that be.
Many approach writing them with trepidation and insecurity, thinking that if they write too little, too much, or the wrong things, it could mean the very end of their screenwriting hopes and dreams before they even really have a chance to get started — that’s the mindset of a writer at least.
Learning how to write a must-read query letter is nearly as important as writing a must-read manuscript—after all, an enticing query letter is what will get an agent to say, “Love your story.
One of the easiest ways to learn what makes a good, standard query letter is simply to see an example of one that does its job well. If you write fiction or narrative nonfiction, a query letter is your first (and often, your only) chance to get an agent interested in reading (and, with hope, signing) your work.
Glossary A Page A revised page that extends beyond the original page, going onto a second page. (i.e. Page 1, 1A, 2, 3, 3A) Abbreviations shortcuts used in scripts such V.O., O.C. Learn everything you need to know about how to write a logline that sells and other expert information on pitching scripts.
How to Write a Screenplay: A Guide to Screenwriting It's easy to feel intimidated by the thought of writing a screenplay. The rules! The formatting!